Film Reviews

Nick and Norah's Infinite Playlist

• Rating:
• Director: Peter Sollett
• Starring: Michael Cera, Kat Dennings, Aaron Yoo, Rafi Gavron
• Details: USA / 90mins / (TBC)

Michael Cera once again proves that he's got a good sense of quality control when it comes to choosing his roles with this charming romantic dramedy. Nick and Norah's Infinite Playlist is set over one event-filled night, as he (Nick) and his pals attempt to see their favourite band play a secret gig in Manhattan. Along the way, he meets the lovely Norah (Kat Dennings), who has been listening to the heartrending mix CDs he has been sending his cheating ex-girlfriend and falling for him as a result, although she's never met him. An initially awkward meeting soon ascends into the pair trouncing around Manhattan searching for imaginatively titled band Fluffy Bunny as well as a drunken friend, whilst simultaneously cleaning out their emotional closets. With a soundtrack that almost acts like a third main character, this is a lovely film that exudes genuine warmth and effortless laughs. Cera and Dennings are not only an extremely believable couple, but also likeable without banging of the inherent smugness that you'd expect from members of the "trendy" music scene. Cera isn't exactly stretching himself, but there are genuine sparks between him and Dennings, and teen angst is explored with typical characteristic mockery by both stars. Cera's socially apprehensive demeanour somehow comes off as cool, while Dennings's best work is the moments when her character has nothing to say: Norah's pensive glances at Nick, her hesitancy on how to broach the idea of an amorous liaison. They are similar characters, beset simply by being members of the opposite sex - a common conundrum. That said, it's really how Sollet sells his film that makes it most worthwhile. He drenches each scene in impressive tunes, but never allows the music to take over the characters or undermine his fine cast. Needless to say, this isn't a million miles from Cameron Crowe territory, who could easily have made a film like this twenty years ago. The supporting players offer fine back-up - Graynor in particular standing out as the sluttly drunken friend who you somehow still like - while Jay Baruchel plays 'sleazy' to startlingly sordid effect. It's the two stars and the director who shine brightest, though, in this hugely entertaining and warm little movie.

Review by Mike Sheridan